WEBVTT

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[MUSIC PLAYING]

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There are several
implications in many domains.

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One way to schematize
them is to think

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in terms of who are the
actors of cultural policies,

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what are the objects, and
also what is the scope

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or scale of cultural policy.

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Then all of that changes
with the possibilities

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of digital technologies
and the networks

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and the boundaries that shift
because of the possibilities

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of digital technology.

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So in terms of agency or
actors of cultural policies,

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obviously, this is no
longer just states or local

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authorities.

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But there are new
actors that emerge

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and that become more
relevant for cultural policy.

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That can be transnational
or even local.

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They are not necessarily
public authorities, et cetera.

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This is not only linked
to digital technology

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or only determined by
digital technologies.

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But it is linked to that.

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And then in terms of
scope is the reach

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of what can be regulated
or implemented and promoted

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through the cultural policy.

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And again, digital
technologies are tangentially

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without boundaries,
or at least they

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don't stop where the usual
territorial boundaries used

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to be.

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And so that changes
and shifts as well.

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And then obviously, the
object of cultural policy.

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With the digital, there
is a whole new set

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of cultural objects, digital
cultural objects that

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didn't exist, and that now
need regulation, promotion.

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And they are both new
means to do and promote

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maybe the image of
a country if we're

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talking of cultural
diplomacy in particular,

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but also that may
need regulation,

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new types of copyright, new
types of property laws as well.

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So that also means a cultural
policy becomes much more

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connected also to other
policies that are not explicitly

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cultural but that
relevant for culture.

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And with the digital, that
is also much more important.

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