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Hello. my name is Ken Taylor. 

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I'm an emeritus professor of 

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the Australian National University in Canberra, 

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in the centre for heritage museum studies. 

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And I'm also a visiting professor 

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at Silpakorn University in Bangkok, 

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where I teach courses in history, 

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places management and cultural landscapes. 

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And in this talk, 

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I'm gonna cover Cultural Landscapes: 

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Meanings, Values, Assessment, and Documentation. 

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I'll go through these various sections and 

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complete the session with reference to a case study that 

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I was involved in a few years ago. 

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And I will start with this quotation on this slide. 

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Any landscape is a condition of the spirit. 

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In other words, it's very much in our minds. 

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And I'm going to enlarge on that as we go through. 

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The first section is a brief introduction. 

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So section one, 

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my paper explores the contemporary challenge of recognizing, 

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protecting, and managing intangible values of cultural heritage 

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with specific reference to cultural landscapes. 

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This is not to deny that 

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cultural landscapes have physical, tangible shape. 

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But more importantly for this paper, 

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what I want to show is that 

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they demonstrate associative intangible values

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 related to the meaning of a landscape. 

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And then it goes up to people who make the landscape,

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 the people who live in it, 

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the owners, visitors, tourists, 

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all those people will have an interest in the landscape. 

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So, looking at it from the point of view of a community 

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in its widest sense, 

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and such an approach to cultural heritage generally, 

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and cultural landscapes in particular 

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marks a divergence 

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from what we refer to as the Elite Kalisz connoisseurship approach to cultural heritage. 

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That is only being interested in famous monuments 

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and sites and archaeological remains, 

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which was the way heritage was seen until the mid1980s, 

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when people started to talk about cultural landscapes 

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and more intangible other aspect. 

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So the emergence of the idea of values of meaning is now 

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linked to the concept of cultural heritage 

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and prompts the question, 

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what is meant by the joining of the two words culture and heritage. 

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In other words, cultural heritage, 

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the word culture or cultural derives from culture, 

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in the way that Australian, 

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an eminent Australian and the number of years ago, 

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Donald Horne rather nicely phrased it 

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as culture is the repertoire of collective habits 

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of thinking and acting that give particular meanings to existence, 

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the way we live and how we find meaning in our existence, 

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and the world around us, the landscape. 

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Denis Byrne, also from Australia, 

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remarked 10 years ago, 

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those of us who have pushed for the recognition of the intangible

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 in heritage work are also those 

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who tend to stress the cultural in cultural heritage, 

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not just being interested in things and objects, 

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but in the social side of heritage. 

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So I will present an overview of cultural landscape meanings and values, 

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and associated research approaches that address intangible

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 aspects and community values. 

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I will then examine the way in which research knowledge

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 informs methods used in practice 

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to unravel landscape meaning, 

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particularly from the point of view, that landscape

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 is not simply what is seen 

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an assembly of physical components and natural elements, 

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but rather as Dennis Cosgrove proposes, 

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he is a geographer. 

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It's a way of seeing that has its own history, 

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but a history that can be understood 

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only as part of a wider history of economy and society; 

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that has its own assumptions and consequences, 

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but assumptions and consequences 

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whose origins and implications extend well beyond the use 

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and perception of the land; 

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that it has its own techniques of expression, 

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but techniques which it shares with other areas of cultural practice; 

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that is trying to understand the world around us; 

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and pivotal to critical research inquiry into these lines 

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of thinking prompts the question. 

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And you should remember this question all the way through what I'm talking, 

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whose values are we addressing 

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and whose heritage is it? 

